I like Ciara a lot. I think she's cute and fun. In her new single, "Go Girl", you can call her CiCi or "the Energizer Playboy bunny." T-Pain produces, so expect a lot of vocoder/auto-tune. It's not jaw-droppingly exciting, but I can see a lot of people having fun with it at the clubs.
The video comes off like a pastiche of recent pop videos. It must be those pesky art directors. Ciara does a catwalk strut in a shadowy hallway a la Lady Gaga, and then freaks out in a elevator like Britney on Madonna's current tour.
And then there's the wig. Those bangs, artfully cut just above the eyebrows! It's a little bit 20's flapper, a little bit Sunset Boulevard. Just in time for Halloween. My earliest recollection of this look was Britney's pink wig during her ill days.
I had a really incredible time watching Roisin Murphy make her U.S. debut in NYC last night. She played about 3/4's of Overpowered and a couple songs I wasn't familiar with (possibly from her earlier work). There were costume/coat changes after each song. Here are five points:
1. Her voice was perfect. She owned the stage. She was very happy to be there. The sound in the venue was great minus a few technical issues at the beginning.
2. She has fantastic chemistry with her band. She playfully assaulted AND seduced her musicians a couple of times throughout the set. She gave her backup singers a real pounding near the end of the show.
3. I liked the musical twists she added as she was transitioning or ending her songs. She amped up the dance elements "Dear Miami" and "Movie Star" while adding a rock guitar solo in "Primitive." She minimized the synth-heavy "You Know Me Better," which also sounded great.
4. She was rocking her signature bra-less white shirt a lot of the times. My favorite outfits were the brown, turkey-like hunchback number she wore during "Movie Star" and the plaid deer coat during (I think) "Let Me Know." 5. The venue was small, intimate and gorgeous. I think the crowd was a bit comatose at times, but that might be a NY thing. I was surrounded by a group of people that went bananas during ever song. But I could see a lot of people just staring in awe/confusion.
In these dire economic times bundled with a minor bout of homesickness, I'm finding myself veering away from the dance and pop music that has frequented my listening habits lately.
The final quarter of this year sees releases by Britney Spears, Beyonce, Christina Aguilera, Kanye West, Eminem, Guns and Roses (!), and more -- basically a mainstream music lover's dream come true.
"Looking at Billboard No. 1 songs from 1955 to 2003 for a study to be published in the journal Psychology of Music, he found that in uncertain times, people tend to prefer songs that are longer, slower, with more meaningful themes."
At Virgin Records this past week, I purchased Fleetwood Mac's first (white) album. Rumours is pretty much ingrained in my mind already, but I had this insatiable need to hear "Rhiannon" and "Say You Love Me." Oddly enough, this was the first time I realized how much Christine McVie sounds like Jon Anderson of Yes. Fun fact: I went to college with Lindsey Buckingham's niece, who was obsessed with Justin Timberlake.
I've also been listening to Belle and Sebastian's Tigermilk, their first album and the only one of theirs I never owned. And then there's the new Antony and the Johnsons' EP, which has the stunning "Another World." I also like "Hope Mountain" and "Crackagen," but it was a bit overpriced for a five song EP.
Well, it's too late to vote and the contest is over, but I think New York's Designer Drugs were robbed of prizes for their "I'll Be Lovin' U Long Time" remix. The people in Mariah's crew ended up selecting a bunch of R&B snoozers. No wonder people are pessimistic about the music industry.
Let's be honest, the original song isn't anything to celebrate. But Designer Drugs were able to give it a hyper electro-house spin that pushes Mariah to dance diva proportions.
Designer Drugs' remix work is pretty incredible. Their remix of Hail Social's "Heaven" is one of my favorite tracks this year. Hear the original and then see how creatively they reimagined it on their MySpace (or buy it on purple vinyl like I did).
UPDATE: Designer Drugs have kindly allowed me to post the remix for download. Enjoy!
San Francisco's Ghosts on Tape is an artist I admire. Using only "some janky ass ghetto equipment", Ryan Philip Merry is producing some of the most musical, enjoyable beats I've heard in a while.
Maybe it has to do with his open minded approach to influences (electro, turbo grime, speed garage and Miami bass to name a few). I'll settle with ghettotech as the genre that might sum it up.
His just-released free live mix was performed using two samplers and features 25 minutes of tracks he's working on. Even if you have a modest interest in dance music and tropical, bass-heavy beats, I suggest you give it a listen. I suspect a full album release is in the works.
In a recent interview, Ghosts on Tape said even though he has a passion for dancehall, sadly "there's like no Jamaicans" in San Francisco. Just like there's no black folks in Alaska, according to Diddy. But G.O.T. is right about Jamaicans in S.F., although I can personally confirm SF kids love their Red Stripe.
Here in New York, I've had to readjust from my West Coast methods of listening to music. My routine used to be: dance/hip-hop at the gym, folk/rock/pop on my work commute, and pretty much anything on my home stereo.
In my new apartment, the wall separating my room from my Morrissey/Crass-loving roommate is dangerously thin, so I've yet to buy a stereo system. Listening to my iPod at home just feels weird and this city is too new and exciting for me to wear headphones all the time.
So for now, I'm dealing with it until I get some soundproofing. To keep me entertained, I have been watching some hot videos. The New York Times keeps mentioning how surrealism is IN right now. How about a little neon and psychedelia?
Love this song and video. I recently bought Hot Chip's DJ Kicks and discovered Grovesnor's "Nitemoves." "Drive Your Car" is a real treat.
Yelle's "Ce Jeu" is extremely cute. Their shows are so high-energy. The lead singer can get any party started. And I still don't have their album!
I remember the first time I saw Tilly and The Wall, my friend Sailor whispered in my ear, "I think the tap dancer is crazy." No kidding! I am loving this song. I disliked their super-neon "Beat Control" single, so "Pot Kettle Black" is very exciting.
From Morrissey and M.I.A. to dance mixes from Fabric and DJ Kicks, I’ve often found myself forgetting the entire mix and focusing on just one or two songs that quickly grab my attention.
Santogold’s collaboration with Diplo on Top Ranking has a few of these moments, but the stand-out track for me has to be Trouble Andrew’s “Run - Hide.”
When this came on after the laugh-inducing skit with Mark Ronson, I literally stopped everything I was doing and wondered what artist I was listening to. “Run - Hide” is a drowsy, lo-fi electro hit.
It immediately reminded me of the more pop leanings of the hyped Berlin labels of the early 00’s, yet with a more fresh, hip-hop edge.
It starts off with creepy organs, then Diplo’s beats kicks in and we get the smooth chorus and the crisp, vintage synths. Everything about it is outstanding.
After listening to Trouble Andrew’s less interesting songs on his MySpace, I truly believe Diplo must have worked wonders to produce this track. Complete kudos to him, but also to Trouble Andrew for his great vocal delivery and overall sex appeal.
This track is available as a free download on Trouble Andrew’s MySpace, so please go there and have a listen.
At Virgin Records this past week, I purchased Fleetwood Mac's first (white) album. 
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